Summer Reading Can Still Be Foundational Reading

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So I spent a good portion of the spring and early summer slogging through an exceptionally dense non-fiction tome on Napa Valley that was serving as background for a large scale co-writing project that, unfortunately, tanked hard in mid June.

I don’t consider it wasted time, because I’m one of those folks that considers any reading good reading. And in addition, I learned some things I didn’t know before, so it all evens out. Also, now if I ever want to set a story in California wine country, I’ve at least got a jumping off point.

But with the burden of research-related reading lifted, I got to return to some writing by several of the authors that have really inspired me along the way.

The gentlemen represented here aren’t going to be taught in high school English classes anytime soon, but I’ve immersed myself in their work over the years nonetheless. And that’s not to say that I haven’t spent my time with some English class stalwarts – diving back into the pool with Ernest Hemingway helped me learn how to write with a bit more economy. Then again, a few walks along some long dark alleys with pulp-master Mickey Spillane (who, incidentally, lived the last years of his life in Murrells Inlet, S.C., just down the beach from Myrtle Beach, where Immaculate Deception is partially set) helped me pull some tough-guy detective fiction tricks out of the bag, too.

But as far as modern-day writers who are still busy writing go, these guy are my boys. If you’ve read Immaculate Deception, you can probably see each of them peeking through the narrative, the subject matter and the writing style here and there.

Derivative? Some might say so. But others – mostly other writers – will be the first to tell you that the way to get started writing like yourself is to write like the people you love to read. What comes out after it’s passed through the creative filter of your own unique brain is – shazam! – your style of writing.

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