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Celebrate the 50th Anniversary of the Office Cubicle By Leaving (or Planning to Leave) Yours

This is how you should be celebrating today, the 50th anniversary of what we today call the office cubicle.

I’m sure the guy who invented this now ubiquitous bit of office furniture never dreamed it would engender such deep and abiding hatred. Instead he probably thought he was doing something good for the workplace, like helping offices maximize their usable space and encouraging collaboration between co-workers.

Who knew that these humble desk/separator combos would come to be seen with same affection as the tiny pens cattle purveyors use to raise veal calves? Who would imagine that the most collaboration they would encourage would be inspiring colleagues to gang up on one of their number (the one with the untenable BO and tendency to eat microwave burritos at his desk) and stab them in the neck with a Bic pen? Continue reading → Celebrate the 50th Anniversary of the Office Cubicle By Leaving (or Planning to Leave) Yours

Funky Friday: Featuring Special Surprise Guest Star Christopher Walken

Musically or thematically, “Gonna Make You Sweat (Everybody Dance Now)” by C+C Music Factory wouldn’t be my first (or even fifth) Funky Friday pick for today, simply because it’s a somewhat generic example of late 1980s-early 1990s dance club rap fusion now more likely to be heard at weddings than anywhere else. It stood out at the time, but you, dear readers, can let me know in the comments how well you think it’s aged. Continue reading → Funky Friday: Featuring Special Surprise Guest Star Christopher Walken

Your Morning Nerdgasm: The ‘Back to the Future’ Hoverboard, Brought to You by Doc Brown Himself

I can in no way vouch for the veracity of this, but the big names – included Christopher Lloyd – enlisted for this video make it pretty cool anyway. And really, who hasn’t wanted a hoverboard like the one Marty McFly had in Back to the Future Part 2?

So for now let’s just pretend this is entirely real and we can all soon zip around popping hover-ollies in front of those dorks and their “futuristic” Segways.

Power Pop Wednesday: Liz Phair and Hermione and Women Who Rock

As a lover of early ’90s alternative rock, it’s practically illegal for me to NOT like Liz Phair.

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Liz Phair, as seen in the dreams of my youth

Oh, Liz, with your girl-I-would-date looks and WAY-out-of-my-league fantastically filthy mind, you charmed me to no end with your ability to wield a guitar and sweet-talk into the microphone with a voice built for power-pop, all while looking … well … like that. *Sigh*

Continue reading → Power Pop Wednesday: Liz Phair and Hermione and Women Who Rock

Your Midweek Dose of Perspective: We Are All Dust On a Mudball, And Still We Persevere

Saw this video time-lapse of images from the International Space Station today and just had to share, because nothing reminds you of both your own insignificance and the sheer awesomeness of creation like seeing your own planet and everything on it from a few hundred miles away.

Problems suddenly become very small. May yours be infinitesimally tiny as we head forth into the holidays.

It’s a Short Work Week, But You Still Need to Kick Work’s Ass

Yep, a lot of us still have to work this week. And some (like me) might have some ugly, snarling, drooling deadlines looming over us before the annual celebration of feasting, football and family dysfunction begins in earnest.

So here’s a little something from the badass anime swing jazz noir sci-fi files to get you going and help you grab the workweek by the throat like you, too, are a butt-kicking interplanetary bounty hunter a la Cowboy Bebop.

As an extra-added bonus, check out the FULL (and very hard to find) version of this tune below.

 

For Today’s Funky Friday, The Fantastical Fusion of Sci-Fi & the Funk: Even in Space, the Booty Don’t Lie

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Ever since the 1970s, science fiction and the funk have somehow emerged as two great tastes that taste great together.

I suppose we can credit George Clinton and Parliament Funkadelic for the concept of the extraterrestrial visitors who descend to Earth to bring us some form of rump-shaking higher knowledge.

By introducing the Mothership and it’s garishly clad crew of funkateers, Clinton managed to combine the self-determination that arose from the civil rights movement of the 1960s with the idea that maybe something bigger was needed to bring about full acceptance of the African American culture that has informed every bit of American life since the 1600s.

Something like … a full-on alien invasion.

The concept of alien visitors bringing about some kind of funk epiphany was new, but somehow it caught on. The Mothership itself bootsy-collinsappeared in live P-Funk shows and the massive musical collective worked the extraterrestrial vibe to the hilt (everybody say, “Go Bootsy!“). Their rallying cry was, “Free your mind, and your ass will follow.” Well put.

It could have been a one-time thing had young Prince Rogers Nelson not set upon his own journey of funk/rock fusion and become the performer we now know only as Prince, who counted among his early influences Sly & the Family Stone, James Brown, Earth, Wind & Fire, Miles Davis, Carlos Santana, Jimi Hendrix, Todd Rundgren and … Parliament-Funkadelic.

Prince seemed to bring everything along for the ride – space, pan-sexuality, end-of-days prophecy, visions of a post-apocalyptic utopia – all packaged in this surreal mix of pop, rock, funk and old-school R&B. When Prince broke big in the 1980s with 1999 and Purple Rain, it really did seem like he’d come from space like a late wave of the invasion that P-Funk initiated.

Plenty of old-timey “classic rock” guys turned up their noses, despite the scorching guitar solos and the obvious tribute to Jimi Hendrix, probably because it was hard for them to get past the fact that the Little Purple One was black.

Meanwhile those of us of a more sci-fi frame of mind more easily got a hold on what Prince was doing – pushing the envelope that had been shrunk ever smaller by obnixious, prefab arena rock and what was left of those trying to capitalize off the disco craze.

Since Prince curtailed his career and output, there have been few willing to step up and bring the sci-fi/funk connection back to the fore. Until now.

Janelle Monae seemed to emerge from much the same science fictional universe as Prince, and brings even more of that delightful future-funk to the world, especially in her videos. “Dance Apocalyptic” brings us the end of the world, complete with zombies, aliens and humanoid apes, but for purposes of today’s blog, it doesn’t really count as funk, per se. It’s still a damn fine song, and you should still give it a listen.

The best example of Monae’ sci-fi/funk fusion is the song – or more specifically the video – below. While the song isn’t science-fictional in itself, it does propose that the world is a better place when everyone’s being him or herself without worrying about the folks who never can quite get the hang of that.

The video, though, is based on the premise that Monae was the leader of a full-on cultural and social revolution, and that her organization has been frozen in suspended animation in a “living museum” for rebels and radicals – until they are once again unleashed.

Which brings us right back around to the P-Funk motto. Let the funk free your mind, and your ass will indeed follow.